Open Letter To Sadness

textile installation

solo project, part of studies at HDK, Mentor: Katarina Andersson, Anna Tegeström Wolgers

May 2018, Gothenburg, Sweden

Wondering how to visualize the written word. The necessity of letters or the use of some sort of another visual language. As open letters are addressed not to a specific person but published to the public to read it. How can I convey my letter to the spectator with some sort of barrier in between? As they are in specific time spam forgotten, do I need to convey something that is not constant; something that only exists in its full form only in a certain time period. Researching the idea of nonpermanent, living just for a time. Crate or research how to create something that is not complete without secondary influence.
Since I will start with text (open letters) I would like to explore screen printing, its possibilities, and made how can be written word on textile achieved. Researching burnout technique and some other techniques where I can achieve a feeling of something unfinished, something see-through, something in its nonstarting condition.
Research what might be other techniques that could written word on or with textile be achieved.

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23.8.2011 / 8.4.2017

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Verisimilitude